Creativity's Balancing Act : Musings, Thoughts, and Creativity Matters

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Creativity's Balancing Act

by Jill Austen on 05/27/13

I began by writing a paragraph about ways to include creativity in one’s everyday life, as if creativity is somehow apart from regular living. It is not, and I found the sentences sounding like a recycled article in a monthly “better living” magazine. I heard the objections from busy people, saying “No, no, no, I cannot add another thing to my daily routine!” The better approach, I decided, is to outline the steps in creative process and suggests ways to balance and integrate. Most of us go through these steps every day, many times, dealing with a variety of issues and rarely associate them with creativity. Just because you’re not painting murals or composing symphonies doesn’t mean the creative process is not at work in your life. To quote John Cleese, “Creativity is not a talent, it is a way of operating.”

Analysis. The first step is to recognize a “problem”, analyze it, collect and absorb information that may offer possible “solutions”. At work in this step is the conscious, rational mind. No mystery here. Information collection can include research by reading, internet, talking/listening, classes, etc. The broader the subject material the more likely the solution will be original. As, Louis Pasteur famously said, “Chance favors the prepared mind”.

2.     Incubation. Detachment is necessary in order for the information/analysis and the intuition/imagination to combine and work together. This occurs in the realm of the unconscious and does not require your rational thinking, but it does require real downtime, contemplation or playfulness. Going for a walk is one of the time-honored ways to encourage incubation. Sitting in a café, laughing with friends, journaling, gardening, singing in the shower, meditation…are some of my favorites.

3.     Illumination. That flash of inspiration strikes when the incubation process (which may have taken a few minutes or a few years) is complete, and presents itself to your conscious mind once again. Keep in mind that it may come on the heels of incubation during one of those quiet, contemplative or playful spaces. The poet William Carlos Williams was a doctor who often jotted poetic flashes on the back of prescription pads in those few moments between seeing patients.

4.     Verification. The final step is to apply the creative idea and see if it solves the problem, or is otherwise useful. It may require some tweaking or going through another round of the creative process if the problem or project is complicated. 

If your “way of operating” is not as creative and productive as you’d like, you might ask yourself which of these steps need attention in your life. Are you mindful of problems and take steps to analyze and gather information? For many people the contemplative or playful step gets shortchanged. What do you do when inspiration strikes? Do you ignore it or take the time to acknowledge and verify it? Find the balance and you will experience your creative best! For some serious fun watch John Cleese's talk on creativity: http://www.youtube.com/watch?v=DMpdPrm6Ul4

 

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Jill Austen Bio

residencies, performances and exhibits throughout the US, Mexico and the Caribbean. Teaching opportunities have taken her to Jamaica, Trinidad and Tobago and the College of the Bahamas in Nassau.Her poetry was first published in Leaf Garden Press in 2009, and her first collection, In Search of Orion, is nearing completion. Jill has been a featured poet at OPEN Expressions in Harlem, the Ipswich Roadpoets Café, in Ipswich, MA and a guest of the Poets Network & Exchange, NY. She is interested in the connection between the mundane and the metaphysical, in the small moments that illuminate life’s larger truths. Her inner gypsy is happy to call New York City home. 



NY TIMES REVIEW 
‘Cerchio Tagliato dei Suoni’ at the Guggenheim Museum - BY STEVE SMITH
Salvatore Sciarrino’s soundscape “Cerchio Tagliato dei Suoni” (“Cutting the Circle of Sounds”), a piece for 104 flutists, had its United States premiere at the Guggenheim on November 19, 2012
POETRY in the MOM EGG REVIEW, Dec. 2105 http://www.themomegg.com/themomegg/
VOX_MOM/Entries/2015/12/30_VOX_MOM__
Guest_Curator_Lorraine_Currelley.html
Click on the link to read Jill's recently published poem, "Giverny, France"

POETRY in Blue Door Quarterly, Fall 2015 
"One Hundred Midsummers Between Us", published in the poetry and art journal of Blue Door Gallery in Yonkers, NY
http://bluedoorartcenter.org 

FESTIVAL OF AFRO-CARIBBEAN COMPOSERS held in Nassau, Bahamas, Feb 20-25 featured "Waltz of the Flamingoes", for flute and piano which Jill recorded with acclaimed Bahamian composer Audrey Dean-Wright in December 2012.
Jill Austen lives a multidisciplinary life, embracing creativity through music, art and poetry. To this end she has created Austen Academy, offering a series of integrated arts workshops which explore individuality and the creative process. Jill holds degrees in music from the University of the Arts in Philadelphia and the University of Minnesota, where she also studied visual arts and art history. She is a juried associate member of the Pastel Society of America. As both flutist and visual artist she has enjoyed