Magic January : Musings, Thoughts, and Creativity Matters

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Magic January

by Jill Austen on 01/26/14

 

 

In another attempt to outrun the idea of New Year’s resolutions, I decided to explore what one friend calls “magic” January. We hold the idea in our heads that once the holiday activities of November and December have come to an end there will be a long, slow white expanse of days. Once the nutcracker finds his way back into the box of Christmas decorations and all of the pines needles have been swept up, there will be endless hours. All of the goals that have been put on hold for two months (or more!) will successfully be achieved. This is truly the outlook of optimist.

 

I decided to put magic January to the test by taking an inventory of my creative projects, and choosing one to work on every day, if only for a short while. If you are like me, that “short while” turns into hours. Creative focus often equates to losing track of time, as artist brain wins out over logic brain. So, the focus of my attention this month is writing. I’ve assigned myself the task of writing an essay each day. It’s harder to do than it sounds, but I work well with goals that are time-specific, at least within the span of just one month – my concession to logic brain.

 

But I also don’t give myself too many other limitations to work with. While I might call the writings “essays” they are not restricted to any subject or style. Some days a scholarly tone ponders subjects like the question of sanity in Cervantes’ Don Quixote, or the connection between metaphor and painting. Other days I record the musing of my inner child, or details of a dream, or lines of a found poem, such as, “Mutant Petunias Sing the Blues.” The important thing is to show up. Show up with intent and do the work. Oh, and send your inner critic to Siberia for the month. Magic January will take care of the details.

 

“To much sanity may be madness –

and the maddest of all: to see life as it is, and not as it should be!”

from Don Quixote by Miguel de Cervantes (1605)

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Jill Austen Bio

residencies, performances and exhibits throughout the US, Mexico and the Caribbean. Teaching opportunities have taken her to Jamaica, Trinidad and Tobago and the College of the Bahamas in Nassau.Her poetry was first published in Leaf Garden Press in 2009, and her first collection, In Search of Orion, is nearing completion. Jill has been a featured poet at OPEN Expressions in Harlem, the Ipswich Roadpoets Café, in Ipswich, MA and a guest of the Poets Network & Exchange, NY. She is interested in the connection between the mundane and the metaphysical, in the small moments that illuminate life’s larger truths. Her inner gypsy is happy to call New York City home. 



NY TIMES REVIEW 
‘Cerchio Tagliato dei Suoni’ at the Guggenheim Museum - BY STEVE SMITH
Salvatore Sciarrino’s soundscape “Cerchio Tagliato dei Suoni” (“Cutting the Circle of Sounds”), a piece for 104 flutists, had its United States premiere at the Guggenheim on November 19, 2012
POETRY in the MOM EGG REVIEW, Dec. 2105 http://www.themomegg.com/themomegg/
VOX_MOM/Entries/2015/12/30_VOX_MOM__
Guest_Curator_Lorraine_Currelley.html
Click on the link to read Jill's recently published poem, "Giverny, France"

POETRY in Blue Door Quarterly, Fall 2015 
"One Hundred Midsummers Between Us", published in the poetry and art journal of Blue Door Gallery in Yonkers, NY
http://bluedoorartcenter.org 

FESTIVAL OF AFRO-CARIBBEAN COMPOSERS held in Nassau, Bahamas, Feb 20-25 featured "Waltz of the Flamingoes", for flute and piano which Jill recorded with acclaimed Bahamian composer Audrey Dean-Wright in December 2012.
Jill Austen lives a multidisciplinary life, embracing creativity through music, art and poetry. To this end she has created Austen Academy, offering a series of integrated arts workshops which explore individuality and the creative process. Jill holds degrees in music from the University of the Arts in Philadelphia and the University of Minnesota, where she also studied visual arts and art history. She is a juried associate member of the Pastel Society of America. As both flutist and visual artist she has enjoyed